Oil On Canvas, Real Flavor of Old Masters

All George Dawe 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
84908  
Charlotte of Prussia with children, George Dawe
  		 Charlotte of Prussia with children   Date 1820s cyf
725  
General Alexei Yermolov, George Dawe
  		 General Alexei Yermolov   1823 The Hermitage, St.Petersburg
20974  
Madatov (san 05), George Dawe
  		 Madatov (san 05)   INV No 8094
81309  
Portrait of Alexander von Benckendorff, George Dawe
  		 Portrait of Alexander von Benckendorff   Portrait of Alexander von Benckendorff (xxxxxxxxx xxxxxxxxxxxxx xxxxxxxxxx, 1783-1844), a Russian Lieutenant General. Date 1822(1822) cjr
81635  
Portrait of Cyprian Kreutz, George Dawe
  		 Portrait of Cyprian Kreutz   Portrait of Cyprian Kreutz (xxxxxxx xxxxxxxxx xxxxx, 1777-1850), a Russian General. Date 1826(1826) cjr
90962  
Portrait of General Pyotr Bagration, George Dawe
  		 Portrait of General Pyotr Bagration   No later than 1825 Medium oil on canvas Dimensions Height: 62.5 cm (24.6 in). Width: 70 cm (27.6 in). cjr
82151  
Portrait of Karl Bistrom, George Dawe
  		 Portrait of Karl Bistrom   a Russian General. Date 1819-1824 cjr
81856  
Portrait of Karl Wilhelm von Toll, George Dawe
  		 Portrait of Karl Wilhelm von Toll   Portrait of Karl Wilhelm von Toll (xxxx xxxxxxxxx xxxx, 1777-1842), a Russian General. Date 1819-1823 cjr
82149  
Portrait of Konstantin von Benckendorff, George Dawe
  		 Portrait of Konstantin von Benckendorff   1785-1828), a Russian General and diplomat. cjr
82017  
Portrait of Magnus Freiherr von der Pahlen, George Dawe
  		 Portrait of Magnus Freiherr von der Pahlen   1822-1825 cjr
81357  
Portrait of Paul Carl Ernst Wilhelm Philipp Graf von der Pahlen, George Dawe
  		 Portrait of Paul Carl Ernst Wilhelm Philipp Graf von der Pahlen   Portrait of Paul Carl Ernst Wilhelm Philipp Graf von der Pahlen 1775-1834), russian Cavalry General. Date 1821-1825 cjr
85393  
Portrait of Paul Carl Ernst Wilhelm Philipp Graf von der Pahlen, George Dawe
  		 Portrait of Paul Carl Ernst Wilhelm Philipp Graf von der Pahlen   Date 1821-1825 cyf
81358  
Portrait of Peter Graf von der Pahlen russian Cavalry General., George Dawe
  		 Portrait of Peter Graf von der Pahlen russian Cavalry General.   Date 1822-1825 cjr
80724  
Portrait of the Empress Alexandra Feodorovna of Russia, George Dawe
  		 Portrait of the Empress Alexandra Feodorovna of Russia   1820s cjr
726  
V.G.Madatov, George Dawe
  		 V.G.Madatov   The Hermitage, St.Petersburg
George Dawe
1781-1829 British George Dawe Locations English painter and writer. He was the son of the mezzotint engraver Philip Dawe who taught him engraving. He continued to concentrate on engraving when he entered the Royal Academy Schools, London, in 1796, producing portraits until 1802, when he turned to history painting. In 1803 he won a gold medal and the following year made his d?but at the Royal Academy, where he exhibited until 1818, often showing such anecdotal and literary works as Imogen Found in the Cave of Belarius (exh. RA 1809; London, Tate). He was elected an ARA in 1809 and an RA in 1814 and soon afterwards returned to portrait painting. In 1816 he painted a number of portraits of George IV daughter Princess Charlotte (e.g. London, N.P.G.), several of which were engraved. In 1817 he went to Brussels and was present at the review of the allied troops by Arthur Wellesley, 1st Duke of Wellington in Cambrai. Soon afterwards he was invited by Tsar Alexander I of Russia to paint the portraits of all the senior officers who had taken part in the Napoleonic Wars. He travelled to St Petersburg in 1819 where, over the next nine years, he painted nearly 400 portraits. These were placed in a specially built gallery (destr.) in the Winter Palace in St Petersburg. He returned briefly to England in 1828 before travelling to Berlin, where he painted the portraits of Ernest Augustus, Duke of Cumberland (1828; London, N.P.G.) and Frederick William III, King of Prussia (1828; untraced). From Berlin he moved to St Petersburg and then to Warsaw before being forced by illness to return to England, where he died shortly afterwards. His book The Life of George Morland with Remarks on his Works (1807) is both a lively account of his godfather dissipated lifestyle and a fairly critical appreciation of his work.



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